1987 play on the subject of pesticides by David (Penda's Fen) Rudkin which feels like one long public information film, until you realise there's not going to be a shock denouement - the damage has already been done.
Gil looks after his two daughters, living frugally in a farmhouse which the father is rennovating. The surrounding landscape, which consists of arable land and fruit trees, though beautiful, carries a hidden danger.
The story is intercut with images from a university research lab showing cell samples of animals which have been exposed to pesticides and data which reveals the amount of chemicals present on various fruit and vegetables.
A woman in a white dress is seen watching the children as they sleep. In a scene reminiscent of Dreyer's "Vampyr", we see the shadow of a sythe cast over the room as they sleep. Later, when the children wander through the fruit trees and find a banquet of sumptuous harvest (placed on draped chemical drums) the 'white lady' delivers an ominous speech in which she hints at the 'gift' she has already given them.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdLBWcG-MVrt9dA-yL4QpGsaRTYS_utTZrCtxgv85esfeNX_udv74FgDut6hAajPRSeyWU3ebxtXiPJVBUdR6wgslihCtpE1Iq-Z_yVy1xmjaKnN-m6UN3A91gpT5TvIvkpGDi-rslosut/s400/whitelady1.jpg)
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Below from Carl Dreyer's "Vampyr"
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLVVdLw3p6QfbDNRCMR0zfZqOkY6UOAGVnwvk9_Bz_oW3rAVpVzZkX0dGT_GtC0Lj0cKxYyQCLd05nEuCvQPX3G77h6xsAflNrw6i1KaF4gjnJ0SJQ81UZ7eXrUplq_wI0AgHTW6sXPN8j/s400/whitelady14.jpg)
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